Rights Granted Under US Copyright Law

By | Lessons, Music Publishing | One Comment


Under this right, no one other than the copyright owner may make any reproductions or copies of the work. Examples of unauthorized acts include:

  • photocopying a book
  • copying a computer software program
  • using a cartoon character on a t-shirt
  • incorporating a portion of another’s song into a new song

It is not necessary that the entire original work be copied for an infringement of the reproduction right to occur. All that is necessary is that the copying be “substantial and material.”


According to the Copyright Act, a derivative work is “a work based upon one or more preexisting works, such as a translation, musical arrangement, dramatization, fictionalization, motion picture version, sound recording, art reproduction, abridgment, condensation, or any other form in which a work may be recast, transformed, or adapted.”

A derivative work usually involves a type of transformation, such as the transformation of a novel into a motion picture. In the computer industry, a second version of a software program is generally considered a derivative work based upon the earlier version.


The distribution right grants to the copyright holder the exclusive right to make a work available to the public by sale, rental, lease, or lending. This right allows the copyright holder to prevent the distribution of unauthorized copies of a work. In addition, the right allows the copyright holder to control the first distribution of a particular authorized copy.

However, the distribution right is limited by the “first sale doctrine”, which states that after the first sale or distribution of a copy, the copyright holder can no longer control what happens to that copy. Thus, after a book has been purchased at a book store (the first sale of a copy), the copyright holder has no say over how that copy is further distributed. Thus, the book could be rented or resold without the permission of the copyright holder.

Congress has enacted several limitations to the first sale doctrine, including a prohibition on the rental of software and phonorecords.

Public Performance

The public performance right allows the copyright holder to control the public performance of certain copyrighted works. The scope of the performance right is limited to the following types of works:

  • literary works
  • musical works
  • dramatic works
  • choreographic works
  • pantomimes
  • motion pictures
  • audio visual works

Under the public performance right, a copyright holder is allowed to control when the work is performed “publicly.” A performance is considered “public” when the work is performed in a “place open to the public or at a place where a substantial number of persons outside of a normal circle of a family and its social acquaintances are gathered.” A performance is also considered to be public if it is transmitted to multiple locations, such as through television and radio. Thus, it would be a violation of the public performance right in a motion picture to rent a video and to show it in a public park or theater without obtaining a license from the copyright holder. In contrast, the performance of the video on a home TV where friends and family are gathered would not be considered a “public” performance and would not be prohibited under the Copyright Act.

Public Display

The public display right is similar to the public performance right, except that this right controls the public “display” of a work. This right is limited to the following types of works:

  • literary works
  • musical works
  • dramatic works
  • choreographic works
  • pantomimes
  • pictorial works
  • graphical works
  • sculptural works
  • stills (individual images) from motion pictures and other audio visual works

The definition of when a work is displayed “publicly” is the same as that described above in connection with the right of public performance.


What Is A Copyright?

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Copyright is a form of protection provided by the laws of the United States (title 17, U.S.Code) to the authors of “original works of authorship,” including literary, dramatic, musical, artistic, and certain other intellectual works. This protection is available to both published and unpublished works.

A work is under copyright as soon as it is fixed in a tangible form; this means that as soon as it is written down or recorded, it is under copyright.

Copyright Law grants all copyright owners the right to:

  1. reproduce their copyrighted work
  2. prepare derivative works (remixes, etc.)
  3. distribute copies of the work to the public
  4. publicly perform the work
  5. publicly display the work

Things that are copyrightable:

  1. Literary works
  2. Musical works
  3. Dramatic works
  4. Pantomimes & choreographic works
  5. pictoral, graphic & sculptural works
  6. Audiovisual works
  7. Sound recordings
  8. Architectural works

Click here for more information on copyright owner rights.



General Things To Know About Music Publishing

By | Music Publishing | No Comments
  • Once it’s created & fixed in a tangible form (i.e. something you can hold), it is under copyright. However, registering the work(s) with the US Copyright Office gives you an added layer of protection.
  • The life of a copyright in the United States is currently 70 years after the author’s death (life + 70). At this point, the work enters the public domain.
  • Works in the public domain are no longer protected by copyright law, and can be freely exploited without the need for a license.
  • When you write a song, you have a say in who can release it to the public first. This is called the first use clause.
  • When you co-write a song with others, it is in your best interest to complete a split sheet, a form that states who wrote what & who controls what percentage of the song (equaling 100%). Everyone should sign & date it, and everyone should get a copy. This will eliminate split dispute issues down the line.
  • If anyone plays on the record that wasn’t a writer, have them sign a work-for-hire form to prevent future publishing dispute claims.
  • In order to sample or interpolate someone else’s music, you must get permission from the original copyright holders.

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